外星恶客
影片信息
- 状态：HD中字
- 主演：Marshall/Thompson/Shirley/Patterson/Kim/Spalding/
- 导演：Edward/L./Cahn/
- 年份：1958
- 地区：美国
- 类型：恐怖/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2025-02-19 18:27
- 简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
- 4
关注公众号观影不迷路
扫一扫用手机访问
网友评分
0次评分扫一扫用手机访问
剧情简介
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
为你推荐
换一换- HD金贤秀/金容智/金秦禹/
- TS中字乔什·布洛林/朱莉娅·加纳/阿尔登·埃伦瑞奇/奥斯汀·艾布拉姆斯/卡里·克里斯托弗/王汉斌/埃米·马迪根/琼·黛安·拉斐尔/托比·哈斯/梅丽莎·庞西奥/惠特默·托马斯/凯莉·舒特拉/杰米斯·巴特勒/萨拉·科普金/奥布雷·布洛克维/塞尔吉奥·杜克/克莱顿·法里斯/Carrie Gibson/Jason Turner/乔伊·希尔/
- 更新HD保罗·纽曼/多米妮克·桑达/詹姆斯·梅森/
- 更新HD欧米·罗斯/查莉·布莱克伍德/Grace Hendy/
- HD黄又南/太保/车保罗/张达明/李丽珍/邵音音/陈湛文/文雪儿/魏秋燁/麦家琪/龙天生/艾威/杨伟伦/
- HD陈嘉敏/韩玉杰/李梓瑜/任青安/陆烟/李美辰/张也/常笑笑/寒丰/刘未晞/王军/徐小晰/
- HD周海媚/谢君豪/张达明/萧潇/李灿森/
- 更新HD杰奎琳·托博尼/迈克尔·奥尼尔/泰勒·贾克布·摩尔/克里斯托弗·麦克唐纳/肖恩·奥布赖恩/Blake/Sheldon/Tanner/Thomason/Greg/Perrow/Zoe/Kanters/Marwa/Bernstein/David/Michael/O'Neill/Trent/Loos/Sarah/Kliban/Sara/Vessal/乔治·马奎尔/Justin/Nesbitt/阿里·阿夫沙尔/迈克尔·金/John/Demakas/特里沃·B·纳格尔/安妮-玛丽·奥尔森/
- 更新HD大泽隆夫/松岛菜菜子/岸谷五朗/伊武雅刀/永山绚斗/本田博太郎/高桥和也/音尾琢真/山口祥行/本宫泰风/蜷川美穗/诹访太朗/菅原大吉/须藤雅宏/桥本一郎/余贵美子/中野裕斗/仁科贵/并木史郎/胜矢/桝太一/高原知秀/安倍夏美/藤原龙也/山崎努/
- 更新HD梅纳·玛索德/奥利维亚·韦尔奇/克洛伊·莱文/格斯·肯沃西/麦迪逊·拜恩斯/乔治娅·艾肯/德雷克·约翰斯/Laurent Pitre/伊莎贝尔·博尔顿/帕特里克·克尔顿/道格拉斯·基德/Fadi Malo/苏菲·麦金托什/Basil McKenna/加布里埃拉·梅希亚·佩雷斯/Adam Kelly Morton/Jesse Sherman/贝莉·塞恩/Craig Wexler/Gale Wexler/
- 更新HD贾德·尼尔森/Hannah Cowley/杰西卡·莫里斯/玛丽亚·波纳/里比·希利斯/Neil Dickson/
- 更新HD谷峯/马佳玮/郭美林子/
- 更新HD谢哈布·侯赛尼/Niousha Noor/乔治·马奎尔/Michael Graham/埃勒斯特·莱瑟姆/Armin Amiri/Steph Martinez/凯瑟琳·卡瓦里/Gia Mora/Leah Oganyan/Lily V.K./Ali Kousheshi/Amir Ali Hosseini/Hana Rahimzadeh/Sam Tarazandehpour/
- 更新HD阿尔·帕西诺/丹·史蒂文斯/阿比盖尔·F·考恩/阿什丽·格林尼/帕翠西亚·希顿/里奇·蒙哥马利/恩里科·纳塔莱/Maria Camila Giraldo/Emily Brinks/Calvin Williams/Liann Pattison/Courtney Rae Allen/
- 更新HDAlexandre/Nachi/德雷克·约翰斯/梅根·佩塔·希尔/文森特·莱克莱尔/本兹·安托万/Carlo/Mestroni/盖·纳唐/Patrick/Abellard/Marc-André/Boulanger/Rosemarie/Sabor/Clare/Coulter/Stéphane/Demers/Teneisha/Collins/杜桑恩·杜基齐/Michelle/LeBlanc/Adrian/Burhop/Kevin/Woodhouse/Jérémie/Gariépy/Ferland/Emilie/
- 更新HD何雨宸/袁祥仁/张博楠/朱嘉镇/张宸彬/徐颖/
- HD吴倩莲/黎耀祥/陈豪/黄文慧/元彬/林雪/
- 更新HD杰弗瑞·考姆斯/Tony Azito/胡安·费尔南德斯/布莱恩·尤兹纳/布鲁斯·佩恩/贝琳达·宝儿/理查德·林奇/玛利亚·福特/Peter Jasienski/Denice D. Lewis/William Jess Russell/弗拉基米尔库利奇/大卫·沃纳/贝斯·梅耶/米莉·佩金斯/丹尼斯·克里斯托弗/盖瑞·格拉汉姆/科特·罗文斯/西格妮·科尔曼/奥巴·巴巴图德/唐·卡尔法/
- 更新HD萨拉·波莉/海伦·米伦/朱莉·克里斯蒂/罗伯特·约翰·伯克/
- 更新HD罗伯特·多纳特/尤金·佩里特/简·帕克/
- 更新HD金玟锡/金彩恩/权雅凛/姜俊圭/金亚炫/赵宇丽/
- 更新HD费德里科·路皮/朗·普尔曼/克劳迪奥·布鲁克/玛加丽塔·伊莎贝尔/塔玛拉·沙纳特/丹尼尔·希梅内斯·卡乔/马里奥·伊万·马丁内斯/法尔内西奥·德贝尔纳尔/胡安·卡洛斯·科隆博/豪尔赫·马丁内斯·德奥约斯/
- HD提图斯·维里沃/乔赛琳·唐娜休/奥罗拉·佩里诺/
- HD未知
- HD萨迪·卡茨/迈克·弗格森/克里斯蒂安·霍华德/
- HD赵东赫/车善玗/张锡贤/林英珠/韩彩炅/
- 更新HD薇薇卡·福克斯/马克·麦克格拉斯/凯莉·奥斯本/
- 更新HD大卫·杜克斯/Kelly Piper/Cora Venus Lunny/Ronan Wilmot/
- HD乙羽信子/宇野重吉/佐藤庆/吉村实子/殿山泰司/
- HD元华/蒋璐霞/钱小豪/周秀娜/卢颂之/